{"id":4030,"date":"2020-10-21T11:50:08","date_gmt":"2020-10-21T09:50:08","guid":{"rendered":"http:\/\/academiejaroussky.org\/membre\/genevieve-laurenceau\/"},"modified":"2025-10-13T19:19:54","modified_gmt":"2025-10-13T17:19:54","slug":"genevieve-laurenceau","status":"publish","type":[125],"link":"https:\/\/academiejaroussky.org\/en\/membre\/genevieve-laurenceau\/","title":{"rendered":"Genevi\u00e8ve Laurenceau"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"menu_order":966,"comment_status":"open","ping_status":"closed","template":"","promotion":[],"instrument":[],"class_list":["post-4030","membre","type-membre","status-publish","hentry","type-old-teachers-jt"],"acf":{"photo":1933,"legende":"","prenom":"Genevi\u00e8ve ","nom":"Laurenceau","tessiture":"","fonction":"","types":125,"promotion":null,"instrument":null,"site_internet":"http:\/\/genevievelaurenceau.com\/","facebook":"https:\/\/www.facebook.com\/genevievelaurenceauoff\/","twitter":"https:\/\/twitter.com\/genlaurenceau","instagram":"https:\/\/www.instagram.com\/genevievelaurenceau","email":"","telephone":"","extrait_pour_vignette":"Genevi\u00e8ve Laurenceau is considered one of the most brilliant representatives...","texte_colonne_gauche":"Genevi\u00e8ve Laurenceau is considered one of the most brilliant representatives of the French violin. Her many activities as soloist, chamber musician, concertmaster, festival director and teacher make her an accomplished musician, living her passion in all its forms.\r\n\r\nIt was in Strasbourg, her native town, that Genevi\u00e8ve Laurenceau began playing the violin at the age of 3: this instrument, with its singing close to human tessitura, would from then on take the form and voice of her dreams, and would never leave her.\r\n\r\nHer masters Wolfgang Marschner, Zakhar Bron, then Jean-Jacques Kantorow, will shape a multifaceted artist at the crossroads of three great European violin schools.\r\n\r\nAt the same time, Genevi\u00e8ve experimented with the school of the stage at a very young age: at the age of 9 she performed with the philharmonic chamber orchestra of her hometown.\r\n\r\nAfter several international successes and a First Prize at the Novosibirsk International Competition (Russia), she won the 5th \u201cAdami Violin\u201d competition and made her first CD on this occasion, accompanied by pianist Jean-Fr\u00e9d\u00e9ric Neuburger.\r\n\r\nGenevi\u00e8ve has since been invited to perform as soloist with major French and international orchestras, under the direction of conductors such as Michel Plasson, Walter Weller, Tugan Sokhiev, Thomas Sondergard, Antony Hermus and Christian Arming\u2026 in prestigious venues such as the Th\u00e9\u00e2tre du Ch\u00e2telet and the Philharmonie de Paris, the Seine musicale de Boulogne, the Salle Gaveau, the Halle aux Grains de Toulouse, the Arsenal de Metz, the Op\u00e9ra-Th\u00e9\u00e2tre d\u2019Avignon, the M\u00e9tropole de Lausanne, the Palais des Beaux-Arts in Brussels, the Tapiola in Helsinki, the Palacio de la Opera in A Coru\u00f1a, the Auditorium Manuel de Falla in Granada, the Stadttheater in Weimar\u2026\r\n\r\nLoving the stage, sharing it, believing deeply in the essential values of art, culture and music, Genevi\u00e8ve is passionate about encounters: her duet with the philosopher Rapha\u00ebl Enthoven, but also her collaborations with the actor Didier Sandre, or the show \u201cla symphonie des oiseaux\u201d imagined with bird singers Johnny Rasse and Jean Boucault\r\n\r\nIn 2011, Genevi\u00e8ve was elected \u201cArtist of the Year\u201d by the music magazine ResMusica.","contenu_flexible":[{"acf_fc_layout":"une_colonne","texte":"Involved in the repertoire of her time, she regularly works with composers such as Benjamin Attahir, Karol Beffa, Bruno Mantovani or Philippe Hersant, who dedicate their works to her.\r\n\r\nStarting in the 2017\/18 season, Genevi\u00e8ve will be in charge of the violin masterclasses at the \u201cAcad\u00e9mie Jaroussky\u201d, within the Seine musicale in Boulogne Billancourt.\r\n\r\nSince September 2015, she has regularly given violin masterclasses at the Centre d\u2019enseignement sup\u00e9rieur de musique et de danse de Toulouse (ISDAT).\r\n\r\nFrench music holds an important place in her discography:\r\n<ul>\r\n \t<li>After obtaining a Diapason d\u2019Or for her latest recording dedicated to composer Alb\u00e9ric Magnard, Genevi\u00e8ve will release a French sonata album on November 10 with pianist David Bismuth on the Naive label.<\/li>\r\n \t<li>Genevi\u00e8ve Laurenceau is artistic director of the Obernai Music Festival, founded under her direction in 2009.<\/li>\r\n<\/ul>\r\nAmong his recordings, we can quote:\r\n<ul>\r\n \t<li>\u201cThe Symphony of Birds\u201d, with bird singers Jean Boucault and Johnny Rasse, and Shani Diluka, piano (Mirare)<\/li>\r\n \t<li>\u201cSonata, trio and quartet\u201d by Wolfgang Rabl, with L\u00e1szl\u00f3 Feny\u00f6, cello, Wenger Fuchs, clarinet, and Oliver Triendl, piano (CPO)<\/li>\r\n \t<li>Sonata and trio by Alb\u00e9ric Magnard, with Oliver Triendl, piano and Maximilian Hornung, cello (CPO) Diapason d\u2019or<\/li>\r\n \t<li>\u201cProkoviev\u2019s \u201cViolin Concerto No. 2\u201d with the Orchestre National du Capitole de Toulouse conducted by Tugan Sokhiev (Na\u00efve)<\/li>\r\n \t<li>\u201cBrahms'\u201dSonatas\u201d, with Johan Farjot (Zig-zag Territoires) \/ 5 tuning forks<\/li>\r\n \t<li>Quatuor avec piano\u201d and \u201cla Bonne Chanson\u201d by Faur\u00e9, with the ensemble Contrast and Karine Deshayes (Zig-zag Territories).<\/li>\r\n<\/ul>\r\nSource :\u00a0<a href=\"https:\/\/genevievelaurenceau.com\/\">Genevi\u00e8ve Laurenceau<\/a>"}],"video_sous_photo":""},"_links":{"self":[{"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/membre\/4030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/membre"}],"about":[{"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/types\/membre"}],"author":[{"embeddable":true,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/comments?post=4030"}],"version-history":[{"count":5,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/membre\/4030\/revisions"}],"predecessor-version":[{"id":15332,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/membre\/4030\/revisions\/15332"}],"acf:term":[{"embeddable":true,"taxonomy":"type","href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/type\/125"}],"wp:attachment":[{"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/media?parent=4030"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/type?post=4030"},{"taxonomy":"promotion","embeddable":true,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/promotion?post=4030"},{"taxonomy":"instrument","embeddable":true,"href":"https:\/\/academiejaroussky.org\/en\/wp-json\/wp\/v2\/instrument?post=4030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}